caridwen said:
My point is: it doesn't really matter what people's motivations are. Whether someone works solely to make cash or solely for the love of creating, the end product is the same.
I don't fully agree. There lies a danger where Tarot decks are being developed and produced in such a way where it more easily appeals to as many people as possible in order to make the most money out of the trade. When such an attitude would be picked up by more artists then I'd predict the quantity of decks rising but I'm not that sure that the quality will remain the same.
A drive to make money isn't solely a matter of making the best product. The whole process is much more diverse than that, for example there is also the issue of trying to reduce costs, getting rid of financially uninteresting overhead, etc.
Now, I'm not saying that when someone is in it for the money then this is how it will end per definition, but I for one don't like the idea of this risk one single bit.
There has to be a happy medium between the fact that artists need to live in this world and that means paying rent or buying materials for their work. They are doing a job like everyone else and should be paid for it. Making a chair is also a highly skilled craft but I don't see you telling the carpenter that they should charge you less because they should love what they do.
Which, for me, basicly turns the whole question into that of "Should producing Tarot decks actually be a trade one can make a living from". I have some serious doubts. Making money is one thing, but this might eventually lead to the doom scenario I described above.
I'm assuming this is either a) ironic or b) you haven't created anything. It took me a year to write my first novel. Working around fifty hours a week ontop of a full time job. Each spare moment I wrote at the expense of everything else. Not only is there the physical tiredness involved but the mental exhaustion. Then to be told that I should give it away for free?
It seems you're missing my point completely. I never suggested that the work should be given away for free, quite on the contrary. My concerns solely lie in the
driving force. No one in their right mind will dispute that the process in itself involves effort and costs, and that the author deserves a reward for their work if its liked and used by others. But when money is talking you should be weary.
A more extreme example: a "well known" artist creates a painting where he basicly throws brushes of paint against the canvas and the end result is "modern art", immediatly valued at a price of at least $2000,-. Time to create this "masterpiece": 10 minutes. Another artist creates a painting where be basicly divides the canvas into 3 vertical parts, each with their own color. Estimated value is at least $10.000,- or more. And ofcourse your average art critics simply adore the masterpieces. Naturally an infant could have made the same kind of work, but since he's not known and respected by the incrowd his work will never reach the values mentioned above.
Now... The question here is: do these people produce their work for the love of the trade or is it money talking? I have some very serious doubts, and its these doubts which make me very weary when you're reaching a point when people are only in it for the money since there is always a risk of the trade itself becoming corrupted.