Pamela Colman Smith Commemorative Set--100 Years!

The 78th Fool

I might be wrong but I'm fairly certain they were printed using the stone litho technique. This is one of the reasons the line thickness varies from deck to deck - the later the printing, the more blunted the stone plates became.

Even with mechanical printing presses, ink application would not always be as consistent as we expect from modern printing technology - I've worked with my own letterpress equipment in the past and line/letter thickness would often vary depending on whether the ink plate had recently been replenished or not.

Let's face it - Neither Waite, Pixie or even the publishers would have dreamed the deck would still be in print over thirty years after its publication. This would also explain why the several different known versions exist. Wear and tear and a much longer than expected publication life led to the plates having to be replaced on several occasions. I assume there would also be an individual set of plates for each print colour, ie. Black, pale blue, grey, yellow and red in the case of the Pam A. No doubt some of these might wear down quicker than others.

Chris. xx
 

mac22

I'm very interested in this deck.

Mac22
 

Cerulean

K. Frank Jensen's article on the Waite Smith Tarot

http://www.manteia-online.dk/wst-ipcs/wst-ipcs.pdf

The link above gives some publishing information on the early editions.

and his book The Story of the Waite-Smith Tarot P.105-139 give printing and publishing timeline details and various answers.

Synopsis of K. Frank Jensen's book in earlier discussions:

http://www.tarotforum.net/showthread.php?t=60581&highlight=frank+jensen+story+waite-smith

http://www.tarotforum.net/showthread.php?t=65941&highlight=frank+jensen+story+waite-smith

Best regards,

Cerulean
 

truelighth

The 78th Fool said:
I might be wrong but I'm fairly certain they were printed using the stone litho technique. This is one of the reasons the line thickness varies from deck to deck - the later the printing, the more blunted the stone plates became.

I am pretty certain of that as well, that they used the stone litho technique. The Pam-A also shows the lines of that, while the Pam B/C show dots. In a way it is a pity that they won't reproduce the printing, since it gives its own charm. But it makes sense, since the plates would wear much faster too.
 

The 78th Fool

Thanks for the links Cerulean! The PDF is really valuable. It makes me realise just how complex the printing history of this deck is. I must order Frank Jensen's book - it looks fascinating, not to mention essential reading.

Chris. xx
 

Cerulean

Michael J. Hurst has found some wonderful background

that relates to tarot and esoteric thinking around A.E. Waite's time - he kindly gave permission for me to post the links he unearthed:

Secret Traditions in the Modern Tarot: Folklore and the Occult Revival
http://www.juliettewood.com/papers/Tarot.pdf

Juliette Wood home page
http://www.juliettewood.com/index.php

***

I did find them pertinent to understanding and getting a richer feel of the times. Dr. Woods also gives great references to further reading in her articles for people to enjoy.

Best,

Cerulean


***P.S. MJ Hurst did give two other links that do not seem to be working for me, but I'll post them below:

The Celtic Tarot And The Secret Traditions: A Study in Modern Legend Making
http://www.findarticles.com/p/artic...109/ai_21250627

The Holy Grail: From Romance Motif to Modern Genre
http://www.findarticles.com/p/artic...i_69202444/pg_1
 

fyreflye

Asher said:
Both worked just fine on my end.

Asher

I guess I'm just not advanced enough to receive the higher teachings.