filipas
Moonbow* said:Mark and Jmd
Does anyone have a pic of the Conver - Le Diable?
Here is the Lo Scarabeo version of the Conver card:
http://www.SpiritOne.com/~filipas/Masquerade/Essays/ls-devil.html
Thanks,
- Mark
Moonbow* said:Mark and Jmd
Does anyone have a pic of the Conver - Le Diable?
Thanks, Diana, and to everyone here for such a nice welcome! The various forums and threads here are great - I enjoy it already.Diana wrote:
Mark: I just want to take this opportunity to welcome you warmly to our forum. Truly hope you will enjoy our conversations.
I hope you are encouraged when I say that exploring these alphabetic ideas does not require learning the Hebrew language 'per se'. It does require familiarity with the letters themselves, enough familiarity so that one can recognize the letterform shapes and be comfortable navigating Hebrew lexicons or dictionaries. This isn't too difficult a task: there are only 22 letterforms plus the 5 additional letterforms used when certain letters find themselves at the end of a word. I suspect many Tarotists already have a head start at this since they have probably been exposed to the letters during the course of their Tarot studies.Diana wrote:
Sigh.... now we have to learn Hebrew as well. So much to do, so little time! Question: Has the Hebrew language changed much in the last few centuries, or is it basically the same?
filipas said:I find that the Marseilles trump images parallel medieval Hebrew in an uncanny way.
I've never heard the three marks referred to as "nipples" before. I have no real theory about them other than that they are probably "devil's marks", the type of marks which signalled a pact with Satan. What significance do you think they may have?jmd wrote:
As mentioned either earlier this thread or in others, the triple nipple I also personally view as quite important... that it is the 'Devil's mark' also indicates, to my mind, again that it is there for the suckling.
It is dark in my edition too but the linework looks nearly identical under magnification, as far as I can tell. What we need is a publisher (such as Il Meneghello) to release an edition of the Chosson; our study of the Marseilles could then extend back about 100 years earlier than the Conver.jmd wrote:
The possible castration of the two figures is quite an interesting possibility. These are the kinds of reflections which always add to further insights into the iconography of the deck. For those who have not noticed the possible castrated member at the tip of the 'blade', the Conver is really the version to view, as it is not included in most other decks. Thanks also for pointing out its inclusion in the Chosson - but I as yet cannot see it (maybe my edition of the Encyclopedia isn't as clear).
I know the 'belt' idea sounds far-fetched, I'm not convinced myself that this particular meaning was intended. I do think that, as an explanation, it takes into account all of the iconographic details. It also plays with the way in which allegorical pictures were interpreted at the time: not only might the design have been poking fun at the devil (the silly horns, the crossed-eyes) but it could have simultaneously represented the idea that "hell hath no fury like a woman scorned!"jmd wrote:
Personally, and though it is possible that the 'belt' of the Devil may be used to have the testicles and penis attached, it seems more natural - to me - to consider that the genitalia is its own...
Moonbow* said:Together with this ( in the Hadar at least) his eyes look crossed.
Moonbow*
kwaw said:
In connection with 'eyes' the 'Angel' of Mars is Sammael, who was for Jews in the middle ages the principle name associated with the great Devil and his dominion. .... The eye that looks downwards is said to be looking into darkness [hence may be considered 'blind'? As with Samael?]
Kwaw