irisa
Le Fanu said:The bottom line of it is that it must be infuriating if your name is on a deck which seems very desirable on the market and people are paying crazy prices for it and yet you can't reprint it because the artist refuses is.
I can see where he's coming from...
I don't know Mark Ryan and personally wouldn't presume to know what his thoughts are on this or what has prompted him to want to revise and update. I certainly think it's unfair to hint that it's merely financially orientated...
oak_woman said:Yes, but ...
If Mark Ryan is neither the deck's artist nor the shamanic/Celtic expert (which role undoubtedly falls to John Matthews) just what will he bring to the Wildwood Tarot?
It's noteworthy that with the Greenwood, Chesca Potter felt moved to write her own online handbook as her interpretations of the cards were often at odds with what Mark Ryan had written in the companion book ...
I don't read much into that. In my experience it's not unusual for two creative people to have very differing ideas and opinions. And I see card meanings as opinions
There's an interview from 1998 (relevant part starts about halfway down the page) where Mark talks about the evolution of the Greenwood and his work with Chesca if anyone's interested.
http://www.boldoutlaw.com/robint/ryan1.html
As I say I don't know the guy but I do think he's taking a bit of a unjustified bashing here.
irisa