I've not much to contribute, as I'm hard at work on something else, but I wanted to say how enjoyable I've found this thread - thanks, LukEdra for starting it - and if that's how you are when you're lazy, I'd love to read you when you're not
I was also much struck by this, from Ross:
Ross G Caldwell said:
I think the answer is this - the Serpent with which the Woman dances, comes from a ray which comes from an Eye - this Serpent is the Phallus, and I think this phallus, which is a ray of light and life, which is a Serpent, is in fact the "tree" to which Crowley refers.
An almost perfect example of visual metonymy - the substitution of the name of one thing to represent something else associated to it - here, the Serpent for the Phallus for the Tree (in fact, it's a double - Crowley must have been delighted with himself!).
Ross said:
The Tree of the Knowledge of Good and Evil and the Tree of Life are the same tree, and the only thing that separates them is shame and fear. The Woman and the Serpent, the knowledge of sex and death, are together themselves the eating of the Tree of Life, for those who can enter into their mystery without fear and without shame, with a pure heart, and share in their eternal dance.
You mean eating
from the Tree, I take it? - tasting of love, sex, death without shame. This reminds me that I've always been puzzled that eating the fruit was described as sin, and even Original Sin. How can it be a sin, if Eve and Adam had no shame and no knowledge of sin? It's like a trick that God played on them, in order to bring them into full humanity, or rather, into historical humanity. This is where we see Crowley as a dreamer, a fabulous visionary, trying to change the nature of humanity, or return it to what it was before it entered history, by reversing that trick - in other words, the New Aeon, which as Aeon 418 reminds us is Spirit within Matter, is a search for Origin - a form of what we call in French
la nostalgie des origines, only more sanguine than mere nostalgia (coming from Crowley it would have to be).
Ross said:
I guess to state it more clearly, the Tree of Life here is their Union, but only for those who are pure of heart, can this union be the Tree of Life. Pure of heart means without shame of sex, and without fear of death. Then this union becomes an eternal dance, where life can be seen as one part, death another, then life, then dissolution again, only to be taken back up into life...
And the representation of the Universe is that Origin, symbolized by the woman and the snake - the Tree - "In The Beginning", the moment when creation started, but before history, when there was no shame and no fear of death. It is a circle back to that Berechit ("in the beginning"), when the breath of God created everything - that is, it created sex, the ultimate creative urge - and "saw that it was good". But eating from the Tree - which brought shame - also brought death, which completes the creation cycle. So is Crowley trying to achieve the impossible? Creation without Death? Or does he want another go at the Woman and the Serpent - The Tree of Knowledge of Good and Evil - only this time, shame does not ensue?