But is suffering always bad?
No it isn’t. But focus on it misses the point, some examples;
In the Samurai tradition there is readiness and awareness to accept death at the instant at hand. To die a good death, which should be a form of art, wether to be killed by another or the self. That puts one into a state of ecstatic appreciation of the moment, existence, the gift of life, nature, etc. - that’s the ecstasy part of the formula.
[Which some say, myself included, is the original, natural, humanistic (in the modern sense of the term, as opposed to the modern opposite - dehumanisation) and desirable state.].
That is the purpose, not to be focused on the death or the pain or the 'mortification' of the sepuku, not to endure suffering to PUT YOU INTO a heightened state, you should be in that heightened state all the time, regardless of any activity you do (although the training may seem harsh and suffering).
This is similar to the real concept in Japanese Zen of empty mind. It is not to have an empty mind, or a mind befuddled by riddles and koans, it is to enable the mind to work properly. Not to be vacant nor non-understanding or offering confused gymnastics as in the style of 'western' or Suzuki type Zen.
In traditional Australian aboriginal cultures pain and 'suffering' were an important component of culture, for many reasons. A release of pent up energy (e.g. one may deeply slash oneself as an expression of mourning), a process of initiation (and yes, here we do have the factor of pain as a way of entering altered states but also one had to be tough to survive in many of those cultures that lived in a harsh environment and those that didn’t survive their initiation, physically and literally, would no longer be a hindrance to the group or clan when hard times hit).
There was (and still is) punishment for breaking law (spearing, stone axe in the top of the head) - but these are targeted to specific parts of the body (for a reason ... see Liber Abba section on sacrifice for the magical explanation) with a specific 'magical' or traditional weapon.
( less serious infractions you might get to dance instead of just standing there i.e. present a moving target, or smaller still, they might deliberately miss, or you will just be shown the weapon - like the Samurai warning of showing two inches of blade by slightly drawing the sword). That’s why some of these people don’t like to see these ceremonial weapons.
In one instance in Australian history the Governor wanted to show the aboriginal people that whites were bound by the white law as aboriginals were now claimed to be. Some white 'criminals' were used for the demonstration, they were tied to a frame and flogged, and the aboriginals were horrified for two reasons; the cruelty and the inappropriate use of pain and suffering. Even in my era the consciousness still exists; years ago a touring Mexican showman who threw knives and axes as part of his act visited LA Perouse (near Sydney) an area with a significant aboriginal population which included weekend displays of boomerang and spear throwing and culture. After observing the local show The Mexican offered to demonstate his own and put his back board up, positioned his woman assistant against it and started outlining her with thrown tomahawks. When the aboriginals were asked what they thought of the show they commented that although the man's 'wife' must have been unfaithful, either the thing she did wasn’t that bad or the man really loved her and just did it to 'save face'.
I'm not talking about the ritual suffering of the Christian mystic, but of the Hero Quest of Theseus, the trials of Hercules, Moses' journalism in the wilderness, the testing of the Children of Israel for 40 years... the list of spiritual tests is endless, and most not of Christian invention. All could be interpreted as symbolic death.
Yes, I agree. But I believe the 'point of focus' is lost by many ... it is not for the sake of the suffering to be released from the present word as it is considered evil, bad or 'fallen' but, to whatever extent, to be used as a tool, not an end in itself, to get to an ongoing state of natural ecstasy and appreciation of life and the 'moment'. [See Crowleys 'Postcards for Probationers'.]
My point is, every fairy-tale knight rescuing the princess is a potential Christ-figure.
Every princess that needs saving has a dragon in there somewhere and every dragon that is slayed (in western culture - in eastern culture dragon is 'lucky') has a Princess in distress or tied to a post in the background ... know what I mean
How are fairy-tales told in the new Aeon?
By Tom Cruise? Star Wars? Or perhaps by realising it is all about process within the self and by following a relevent (within context of the New Aeon) system of initiation. Or if your cluey enough to do it yourself (tricky) ... again 'Postcards to Probationers.'