upawell
top row: Dusserre facsimile of early Grimaud
bottom row: standard Grimaud
*bows down*
Thank you so much!
top row: Dusserre facsimile of early Grimaud
bottom row: standard Grimaud
This is a bit off topic but I don't think I've ever spent time reading the material on the site where the image in the OP came from. In my random searching and musing it came up a few times and I spotted a mention of "the Language of the Birds", clicked on it and it was that site again. It ended up being an essay by E. Enriquez, which is always interesting to me. As I was reading, Enrique kept referencing another article on the site by Paul Williams. So I started reading and discovered Paul had written at length about tarot poetics, semiotics and the Language of the Birds. This perspective, or hermaneutic or whatever, which I first encountered via Enrique is among the small number of chance encounters that led me back to Tarot.
Does anyone know the history behind this particular tarot sensibility? Did it originate with Paul? Enrique? Someone else? Through gradual, mutual discussion?
You could try this one on French amazon - it's cheap enough if it's wrong:
http://www.amazon.fr/Editions-Dusserre-01-marseille-dusserre/dp/B00005QRP1/ref=pd_cp_b_1
This is a bit off topic but... I spotted a mention of "the Language of the Birds", clicked on it and it was that site again.
Ah, Gregory, brilliante! I've been cruising Alida, but if never occurred to me to check out French Amazon. A much bigger selection of TdM than the English site.
Kingdubrock, is this one of the sites to which you're referring?:
"For too long, the Tarot de Marseille has been viewed by many popular Tarotists as merely a primitive prototype for modern and more appealing designs. While it is not argued that Tarot-art in all of its permutations is not aesthetically valuable, it is a misfortune that the simple, iconic beauty and elegant utility of the Tarot de Marseille has been hidden to many tarot readers."
The quote above is from a site by Paul B. Williams. He has some strong opinions which make for interesting reading: http://www.tarot-authentique.com/frontpage-paul-articles/welcome-on-tarot-authentique.com.html
Thats the one. There is some clear overlap between Enrique's and his approach to the Marseille, most noteably the subject of semiotics, iconicity and reading the cards as one would poetry.