Scroll down to the 20th post of the linked thread--the listings of Eudes Picard
done in the early 1900s are the closest match to the minors historically. Others have commented where Eudes Picard minor meanings and the Crystal Tarots differ. The majors were sold separately at first in a large format.
http://www.tarotforum.net/showthread.php?t=36250&highlight=crystal+tarots
And just my opinion below, after trying to crack the delicate codes with my hard-headed noggin and hopeful heart...
Actually I was tracking the history of this set and finally located an out-of-print Italian book on the majors and minors. While I believe a lot of thought went into the designs, it wasn't an easy system. It's elegance isn't easily perceptible nor intuitive to my filters, nor is the Italian references easy to translate. Others probably can do much much better than myself!
And it's a beautiful deck, gliding with colors and poetic ribbons in design...
The little white book that comes with the edition available now does it's best to summarize Eudes Picard minors in terms of the Crystal Tarots design. The printing on the 'after 2001 edition' in terms of colors and clarity and bigger images was much improved from the early 1998-2000 editions, if I recall--I cut up my small version after the 2001 edition came out.
It's not really close to Klimt as we know his designs. Elisabetta Trevisan likely created originals which in the 1990s was the closest and most beautifully evocative suggestive of art interaction with tarot that was Klimt-like then. I tend to think of it as a tribute to the Beetoven Frieze artistry and mileaux of Austrian world of art that Klimt might have lived in.
I am, like others, waiting for the Golden Klimt, to see if the gilded deck is most like the common Klimt images we know today.
Best regards,
Hopefully code-cracking' Cerulean