Crusades

Huck

b-5.jpg


The picture is from Mitelli (also known as a Tarot painter) and dated ca. 1684/85, after the siege of Vienna by the Turks resulted in a decisive victory for the West-European troops. The three pictured persons are said to present German Empire, Venetia and the Osman Sultanat.

http://en.wikipedia.org/wiki/Battle_of_Vienna

In the time of the origin of the Trionfi (15th century) the idea of a crusade constantly reappeared, cause the Osman forces constantly were a little more successful as their Western opponents. Occasionally real crusades took place, although these are usually not evaluated as a crusade (and often - not always - ended with a defeat).

Some events - just to remember (and to observe a special motif: the dragon)

1389: The Osman leader is killed by an assassin. The symbolic of St. George "killing the dragon" is applied to the assassin, the dragon" meaning the Osman.

http://en.wikipedia.org/wiki/Miloš_Obilić

1396: battle of Nicopolis. The leader of the Christian troops Sigismondo (then king of Hungary, later German Emperor) barely escapes. In the siege of Constantinople the Byzantin Empire is lucky, that the Osmans are attacked from the East (1402) and have a big loss.

Battle of Nicopolis (1396)
http://en.wikipedia.org/wiki/Battle_of_Nicopolis

Battle of Ankara (1402) - victory of Timur
http://en.wikipedia.org/wiki/Battle_of_Ankara

1408: A knight order is founded by Sigismondo, called the Order of the Dragon (remembering the assassin of 1389). As in other knight orders the members get a sign: a dragon, variated occasionally in its form according the rank of the members.

Order of the Dragon (1408)
http://en.wikipedia.org/wiki/Order_of_the_Dragon

Dragon_order_insignia.jpg


DragonOrder_badge.png


(both reconstructions only)

1415: a delegation of Constantinople is at the council of Constance, begging for help

1422: a new siege at the city of Constantinople which results in a Venetian-Osman war (1422-1429)

1438/39: The council of Ferrara/Florence is a result of the council of Constance. A delegation of ca. 700 persons from the region of Constantinople and other dominions of the orthodox church attend the council. The council more or less influences the situation, which gave birth to the Trionfi cards (1441/1442 Ferrara/Milan).


1443/44: The Crusade of Varna takes place. In the great lost battle the Cardinal Cesarini lost his life. Cesarini was a leading figure at the council of Ferrara. In one of the side plans for the crusade it was discussed before, that Francesco Sforza (involved in the production of Trionfi cards and in the time after the marriage October 1441 living for some time in Venice) should take a leading position in the crusade.

Crusade of Varna (1443-1444)
http://en.wikipedia.org/wiki/Crusade_of_Varna

Battle of Varna (1444)
http://en.wikipedia.org/wiki/Battle_of_Varna

Somehow in this time: "Dracula" becomes a member of the Dragon order, then first political engagement 1448

Vlad III. Dracula (1448, 1457 - 1462, 1476)
http://en.wikipedia.org/wiki/Vlad_III_Dracula

1453: Constantinople is conquered. At three important European battle places fighting is stopped: Burgundy - battle of Gent; the 100 years war is decided in favour of the French; the 30-years-war in Italy between mainly Milan versus Florence-Venice is settled with the peace of Lodi 1454.
At the "feast of the pheasant" in Burgund (1454) the direction is given to fight
in a crusade against the Osmans.
St. Capistranus is send to German regions to preach for the crusade and against playing cards.
However, "Venice managed to maintain a colony in the city and some of the former trade privileges it had had under the Byzantines".

Feast of the pheasant
http://trionfi.com/0/t/21/

1456: St. Capristan and the Hungarian leader John Hunyadi have successes on the sea and in Belgrad, and this leads to a Trionfi festivity in Rome.

http://en.wikipedia.org/wiki/John_Hunyadi

However, Hunyadi and St. Capistran die short after their success.

Bu%C3%9Fprediger.jpg


between the burned items are playing cards

1459: Pius II becomes pope and his major interest is the idea of a crusade. The congress of Mantova takes place to win energies for this enterprise - but the invited nobility proves rather desinterested. The momentary militarical focus is on the decision in Naples, the aragon heir Ferrante is attacked by the Anjou. The Albanian crusader-hero Skanderbeg comes to help Ferrante, cause his father Alfonso had earlier sponsored his fight against the Osmans to keep Albania in independence.

1463: The Osmans attack Argos. This starts a Venetian-Osman war, which endures till 1479. The Venetian give financial help to the Hungarian king Matthias Covinus, who has some successes. Venice calls for a crusade, has pope Pius on her side, but Milan and Florence stay rather undecided, somehow happy to see Venice's militaric forces occupied with problems outside of Italy. They are not very interested to fight in a war, in which the successes will only favour Venice.

1464: Pius II dies. The new pope Paul II has more interest in money than in a crusade. A lot of discussions about costs of the war and who should carry which costs.

1467: Skanderbeg is in Rome, begging for financial help. He finally gets a minor sum (2500 ducatos) and stays rather disappointed. He gets better help from Naples.

1469/70: Letters from Venice to Rome start to sound more more desperated, finally Negroponte is taken (one of the greatest Venetian losses ever happened).
Corvinus meanwhile uses more energy for Bohemian/German problems, not very interested in the problems of Venice. Skanderbeg has died meanwhile, but the important stronghold Croia still has survied 3 major sieges of the Osmans. Great Christian hopes are on the activities of Uzun Hasan in the east of the Osmans, who occupies the energies of the Osman military.

Negroponte
http://en.wikipedia.org/wiki/Lordship_of_Negroponte

Uzun Hasan
http://en.wikipedia.org/wiki/Uzun_Hasan

1471. The pope Paul II. dies, having about 1.000.000 ducats invested in luxury items. The new pope Sixtus IV relatively quick tries to do something for a crusade, using the chance, that Osmanic troops are occupied in the east (about this chance and logical action was debated already long in the time of Paul II). In 1472 a fleet starts, a few Roman ships (which costs about 144.000 ducats), more ships from Naples and Venice unite. One has a few minor successes (the city of Smyrna is conquered and burnt) and "with triumph" the papal army returns to Rome (January 1473). The Venetian leader of the fleet becomes Doge at the next opportunity (1474), the leading Roman cardinal in the army, Orvieto Caraffa, becomes a great man in Rome - but don't gets militarical missions in the future, as the minor successes find some critique.
The papal army focusses then on local interests, that means to get some influence in Italy for the family of Sixtus. This causes general Italian trouble, which endures till the death of Sixtus. Papal militaric engagement takes place, when the fall of Orvieto (1481) causes great fear.

1474-1476: "Dracula" returns to the battlefield. He dies in this attempt.

1476: Matthias Corvinus marries a daughter of the Aragon court in Naples and unites the Hungarian interests with those of Naples (Trionfi symbols wander to Hungary, Matthias Corvinus finally has one of the greatest libraries in Europe). The marriage knows a "Trionfi" presentation, which shows the "Trionfi" of Petrarca.
Both parties have reason to fear the upcoming of the Osmans, living ihe neighbourhood of the Osmans.

1478: Croia, the Albanian stronghold earlier defended by Skanderbeg, is conquered by the Osmans in the 4th siege of the city.
Sixtus is involved in the murder of one of the Medici-brothers. Naples takes side with the pope first.

1479: Venice has to agree in an unfavourable peace with the Osmans. Matthias Corvinus protests.
http://en.wikipedia.org/wiki/Treaty_of_Constantinople_(1479)

1479 - 1483: Matthias Corvinus in active war with the Osmans.

http://en.wikipedia.org/wiki/Matthias_Corvinus_of_Hungary

1481: The Osmans attack and conquer Orvieto. Sixtus reacts in panic. However, the major part of the Osman troops returns quickly, further Osman progress is stopped by the death of Mehmed II. Orvieto is retaken without too much problems for the Christian troops.
Venice didn't help in this conflict. Sixtus is quick in organizing a war against Ferrara. Finally he turns his energies against his earlier partner Venice. When peace is confirmed by all other fighting parties, he dies - likely cause of his anger.

"Despite the setbacks in the struggle against the Turks, at the end of 15th century, with 180,000 inhabitants, Venice was the second largest city in Europe after Paris and probably the richest in the world."

http://en.wikipedia.org/wiki/History_of_the_Republic_of_Venice

map Europe ca. 1500
http://www.euratlas.com/big/big1500.htm

.....

###############

Well, why I do tell you that:

In the time of development of the Trionfi the "crusade" was always a theme to the Italian princes. Also we have the feature, that the persons, which were connected to "Trionfi cards" often were also connected to "Knight orders" and naturally to these "crusades".

All this context wouldn't make it surprizing, if some of the Tarot decks would have hidden "crusade signs".

47.jpg


Mantegna Tarocchi, picture 4, Saturno ... holds a dragon in his hand, biting its tail - like the sign of the dragon order.
The time, when the picture was produced, saw an upcoming interest in Greek mythology. It become custom to talk of "Jupiter", when one talked of God. Now Jupiter had a foe, his father Kronos or Saturn, and this one tried to eat his children.
Well, it might be, that this mythological story was turned towards the actual political situation of the time, the fight against the Osmans, which possibly were seen in the role of Saturn.

Saturn at the picture has a very specific cap, which I don't understand. Somehow it reminds a muselmanic turban, but actually it isn't a turban ... it seems to be a helmet, with the decoration of the horns of Aries.

Does anybody know this type of helmet from other pictures?

Actually there is an Aries-symbol in the story of Abraham and his son Isaac, another mythological story, in which the "father tries to kill his son".

This Abraham-Isaac story is rather directly associated to the general Christian-Islamic conflict. Abraham had two sons, Isaac and Ismael. Isaac became ancestor to the Jews (and so to the Christians), Ismael to the Arabs (and so to the Muselmans).

leber-fool.jpg


In this picture the Aries-symbol reappears, now as part of the armour for the knees.
It's the Fool of the Rouen (or Leber) Tarocchi. The helmet associates a snail
... I don't understand that that, somebody does it? From my point it seems possible, that it was connected to purpur-production, so to snails and so again to the Muselmans.

More cards
http://trionfi.com/0/j/d/leber/

The Rouen Tarocchi is not known completely, only fragmented. One of the cards, identified as the "Emperor" but actually titled as "Imperator Assyriorum" rides on a camel.

04.jpg


It's our (Trionfi.com) suspicion, that this deck type was developed as a crusader deck, intended to make it attractive to join the Christian forces and inviting to partake in a crusade.

One of the suits uses instead of the usual batons the heraldic device (an oak-tree) of the Rovere family. Pope Sixtus IV. (1471-1484) and Pope Julius (1503 - 1513) belonged to the Rovere family.

b1.jpg


(The suits of a deck, which was in the possession of the researcher Cicognara also had the significant oak-tree).

Crusade talking was also in the time of Julius, but the whole situation of Sixtus (much young nephews) make the production in the time of Sixtus in our opinion more probable than in the time of Julius (who participated in a lot of wars, but not in crusades). In contrary to this our opinion the deck is generally dated to early 16th century (which would fit with the reignment of Julius).
But for instance it would be possible, that an earlier deck was reproduced
later, perhaps with slightly changed motifs. Actually Julius was one of the nephews of Sixtus, who in their youth possibly were responsible for this deck.

Generally it's to observe, that Cardinal Caraffa returned to Rome in January 1473 "in triumph" and that part of the triumphal procession were real prisoners (some unlucky Muselmans), just as it was described in the description of antique Roman Trionfi.
In this year 1473 the Roman scene was reigned by cardinal Pietro Riario, one of the nephews of Sixtus, who lived in splendour with a court of about 500 persons and dominated all and everybody, as he had somehow organized, that Sixtus became pope in 1471. For instance he became host to Eleanore of Aragon in summer 1473 (same year), when she passed the city Rome on her way to Ferrara, where she was married to Ercole d'Este, an opportunity, at which with high security Trionfi-decks were produced.

It's suspected by us, that possibly at the same opportunity the Boiardo Tarocchi poem was written, which has somehow similarities to the construction of the Rouen deck and also to the Sola-Busca-Tarocchi.

Another of the greater festivities of Pietro Riario took place in Florence, where he was made archbishop (same year), and then he made important visits (also with some glory) in Milan and Venice (also same year). He returned in October 1473, and died 3 January 1474, quick and suddenly as a young man, leaving debts of 200.000 ducatos (the whole crusade expedition of Caraffa had taken 144.000 ducatos - one should compare these numbers a little bit to get an impression of the "cultural impact" of Pietro Riario; the costs for an accompanying Trionfi card production for one or some more of these events would have been "nothing") - Riario had a yearly income of 60.000 ducatos, so actually we have to consider 320.000 ducatos, which disappeared in the investment for a good name for the Riario-Rovere, which secured the family-members good positions in the Christian church for some decades.

It's to observe, that at the court of Galeazzo Maria Sforza playing cards still were "something for the women", courtly men played chess, took their chances with bets on tennis-games, made jousts and went hunting.

This seems to have changed in the 70's ... playing with cards was tolerated and became accepted custom for persons like Ascanio Sforza and Rodrigo Borgia, also Girolamo Riario. The Riario/Rovere came from the lower classes, naturally they accepted games as they knew them. The established courts still had lived with a rule, that playing cards were for women, just allowed for young men only. This seems to have changed in this time.

Accompanying data:
In the mid of the 70's Platina, chief librarian of the Papal library and well acquainted with all the Riario-Rovere, stated, that card playing was an allowed way to relax a little bit. From 1474-1478 a note is dated, according which Trionfi cards were imported from Florence to Rome.

Well, perhapa somebody can help in the iconographical questions. What sort of cap (or helmet) has the Saturn? What's the snail-symbol in the other helmet?
The Aries ...

22.jpg


We've also a dragon for Rhetorica ... perhaps, I don't know, cause many humanists had as a major occupation to preach and to argue in the pro-crusade-way.

Other dragons appear in the Chronico-picture (also with tail-biting), the Prudentia and in the Mercury presentation.
 

DianeOD

War-damage Dragons etc etc.

THe dragon can mean a variety of things; including Greek fire, ships, 'laminae', armour, catholicity, the devil etc.

Unless you find a written text explaining the emblem as an 'order' of valour, I think caution might be best.
I'm inclined to think it represents the realisation of catholicity as the 'universal church', myself.

Though the scales - as laminae or 'lames' could be relevant, I suppose.

Re Oak, pigs and batons:

CerrutiAutumnAcorns.jpg


from a 'household' medical book which I have brought to attention of Ltarot members too often to count.

For Aeclectic members: this is a book of health that was circulating through Europe, and which is directly connected with the Viconti-Sforza and their circle of papal and royal friends.

Note the 'parched' river margin. It appears on a number of early cards. Apart from other things it indicates pictures used to stimulate "marginal comment" by the viewer or teacher: peripotamoi in the Greek.

Autumn-Acorns-Rod. The time of year when Orion's "nuts" [sometimes as acorns] touch the earth. The 'nuts' dentified by the 'Arab' star-names with O's belt stars. Conventional image for Orion, alternative to the anthropomorphic for a very long time, indeed.

Reason for adoption of the oak by the Rovere - check their motto.
 

DianeOD

Helmet

I believe your helmeted 'Fool' is meant to be understood as a Carthaginian/Phoenician - foolish enough to go against imperial Rome, with well-known result.

This - mid 14thC - of course was the same time as the "ethnic cleansing" idea in Europe was gaining, all Jews, Arabs and other semites being officially banished in 1492. I mention this because many of the Jews from Spain and France were 'dropped off' - quite literally in some cases - near the Carthaginian coast. There seems to have been an idea that European Jewry was formerly of North Africa.

So in my view, the helmet does represent the murex, but the ram cover for the knees represents, I think, Baal Hammon.

Of course, if the idea is still held that medieval Europe knew nothing of pre-Christian deities other than those of Greece and Rome, then another interpretation must be found.
 

Huck

DianeOD said:
THe dragon can mean a variety of things; including Greek fire, ships, 'laminae', armour, catholicity, the devil etc.

Unless you find a written text explaining the emblem as an 'order' of valour, I think caution might be best.
I'm inclined to think it represents the realisation of catholicity as the 'universal church', myself.

Though the scales - as laminae or 'lames' could be relevant, I suppose.

Re Oak, pigs and batons:

CerrutiAutumnAcorns.jpg


from a 'household' medical book which I have brought to attention of Ltarot members too often to count.

For Aeclectic members: this is a book of health that was circulating through Europe, and which is directly connected with the Viconti-Sforza and their circle of papal and royal friends.

Note the 'parched' river margin. It appears on a number of early cards. Apart from other things it indicates pictures used to stimulate "marginal comment" by the viewer or teacher: peripotamoi in the Greek.

Autumn-Acorns-Rod. The time of year when Orion's "nuts" [sometimes as acorns] touch the earth. The 'nuts' dentified by the 'Arab' star-names with O's belt stars. Conventional image for Orion, alternative to the anthropomorphic for a very long time, indeed.

Reason for adoption of the oak by the Rovere - check their motto.

The reason for the heraldic of the "oak" is in this case the name "Rovere", cause "Rovere" means "Oak in an old language, used somewhere in the Swiss, at least that's the opinion of a city there with similar name and a similar heraldic.
The Rovere were located in Savona, near Genova, between France and Italy, not in far distance to that, what we call today Swiss.

I don't know, where you found a motto ... in the case, that the motto expresses a similar idea, as you seem to indicate, the oak has influenced the motto, and not the motto the base heraldic.

Hind made the suggestion, that the ace of batons presents the Rovere heraldic - but Hind did know only the 6 pictures of the Cicognara deck (with 2 pigs). The Leber Tarocchi Ace shows 4 naked children or putti instead of pigs.

The similarities for the small Arcana between the Cicognara deck and the Leber Tarocchi must be considered. The trumps of the Cicognara deck had been clearly different, as one must conclude reading Cicognara's description - the same description however gives reason to assume, that the small Arcana were similar. In the courts almost the same antique persons had been used.

"Eicheln" (fruits of the oaks) are a German suit, also very common in German decks are pigs, especially in the suit Eicheln, especially at the two of Eicheln. (which presents normally the German Ace - the Ace is often missing in German decks).
The Rovere-oak is usually presented with a specific design, indicating, that it had nothing to do with an oak with much leaves in a housebook.

For the dragon ... I described in my text a specific dragon-interpretation, which was contemporary used and manifested by the foundation of a knight order, to which contributed a row of influential persons. About knight orders: a lot of persons, who with evidence participated in the production of playing cards (usually as commissioner), were also founders or members in knight orders.

http://trionfi.com/0/p/24/
 

Huck

DianeOD said:
I believe your helmeted 'Fool' is meant to be understood as a Carthaginian/Phoenician - foolish enough to go against imperial Rome, with well-known result.

This - mid 14thC - of course was the same time as the "ethnic cleansing" idea in Europe was gaining, all Jews, Arabs and other semites being officially banished in 1492. I mention this because many of the Jews from Spain and France were 'dropped off' - quite literally in some cases - near the Carthaginian coast. There seems to have been an idea that European Jewry was formerly of North Africa.

So in my view, the helmet does represent the murex, but the ram cover for the knees represents, I think, Baal Hammon.

Of course, if the idea is still held that medieval Europe knew nothing of pre-Christian deities other than those of Greece and Rome, then another interpretation must be found.

Jews were not banished everywhere. They were banished early in England, next in France, then in the Provence (after Rene d'Anjou, after 1480 and 1492 in Spain). We talk about Italy ...

Italy didn't banish them (it might be, that some of the cities did so, but not generally). There was some persecution (invention of stronger rules) in 1473, likely going back to a Florentian anti-jewish initiative, when the bankers feared the competition in the money-lending business.

I don't see any reason to refer to expulsion journeys of Jews via North Africa. The deck was made ca. 1470 in Italy, before 1492.
I can't judge the influence of Baal-Hammon concepts ... as described and easy to understand, the Italian people of the time had some fears and concrete war-trouble with the Osmans.
 

DianeOD

"blink"

I see nothing mutually exclusive in what you have said.

You don't comment on those other motifs which the image has in common with our early cards viz:

(i) the 'river margin motif' also seen on e.g. the Visconti-Sforza and the isolated 'Agnus dei' card supposedly found in a German monastery.

(ii) the rod used to gather the acorns in this picture - and its strong resemblance the 'polo-stick' emblem that is seen on the cards held in the Topkapi Serai. we already know those sticks = rods, but have had no reason for the eqivalence before

(iii) the fact that the provenance of the Cerrutti Tacuuinum shows direct influence from the east. That is there are other images in it too that are recognised as showing the original style - Persian 'headers'.

(iv) We also find imagery of the 'river-margin' in Chinese paper cards.

(V) - this is probably not widely known.. but many of the terms related to cards, tokens, printed charms/souveniers involve plays on the idea of silence, and especially the silence brought on by thirst .. parched mouths = silent mouths.

(vI) some of our earliest extant examples of printing were found in the 'Black city' Khora Khota, which was deprived of water by the incoming Mongols (and their prints seem to be made for the caravan- pilgrim- trade).

Other things were happening over that region at the time of the Crusades, and refugees fled as far as they could get.

But back in Europe... *precisely* the same people who commission the sort of cards than have survived 500 years, are those who - at the same time - are circulating this Persian-Greek manuscript.

... you sure you don't find it relevant to the emblems and so forth in the tarots?..
 

Huck

Diane,

I refer to the Rovere oak, not to any oak.
The oak on the picture does not look like the Rovere oak.

If this book refers to the Sforza, it might be interesting (the Sforza's had relations to the Rovere). But then you should give some data to this source ... that I can identify it. Best data available in the web.

It's fine, when you understand what you want to say. But it's really better, when others also understand you and have opportunity to do so (at least from the perspective of the others).