I've been thinking about your thread, Giles...
Originally I was going to recommend a couple of fantasy/SciFi focused decks, but I just went back and reread your beginning post. And I think that was a bad impulse. You've said you wanted to start on the right foot this time. A clean start with an eye to actually making progress... So I'm gonna go out on a limb here.
If you comb through the beginner threads here on AT, you'll see a repeated theme:
I should have started with one of the classic decks: TdM, Thoth, RWS... Repeatedly, people lament the ground they lost and time they wasted struggling with thin, themed decks to fumble at the
edges of the system they were trying to grok.
If you don't believe me, go and look at the threads. Over and over, experienced readers will advise beginners to pick a deck that has real legs. Over and over, people stall a few weeks into "studying" a must-have, super-sparkly, scratch-n-sniff Tarot of the Crystal-Robot-Celto-Succubi and then flagellate themselves for being unable to develop skills while swimming laps in a pool that's an inch deep. Over and over, intermediate readers lament the decision to go with the flavor of the month rather than a solid workhorse deck that will stand up to not just hours but YEARS of scrutiny. Not the prettiest, not the fanciest, not the most glossy and seductive... the deck that has traction as an object of study and reflection. The
class I taught last year started everyone on the TdM and my students
never stopped coming back to those images, even when they'd worked with the WS and Thoth and any number of other decks that they came to after some foundations had been laid. The TdM is the root of all occult Tarots; and the Thoth and WS are the direct parents of the vast majority on offer today.
As for books, I love reading; I study everything obsessively. If you've selected a classic as your startup deck, the advantage is that there are literally hundreds of texts and articles that will support your investigation of the deck should you be inclined that way. It stands to reason: they aren't classics by accident. And they didn't reach that status by conning point-of-purchase buyers with a kitschy theme or slick packaging. Now, reading and book study is a huge part of my learning process because it doesn't bog me down, it's a log on the fire. Your mileage may vary. But the best part of a classic is that even without a book, just by looking at the images you ARE studying a coherent system that has been working for readers for a long, long while.
By saying this, I don't mean in any way to diminish anyone's meteoric progress with the Tarot of the Mermaids or whatever, but rather to make sure that meteoric progress is even
possible with a deck distinguished primarily by the appeal of its illustrations. IMO, you don't read prettiness, you read connections between symbols. That's true with books and triply true of cards.
Here's the trouble with many (not all, but many) pretty decks: the creators knew f%&k-all about Tarot or Liber T or the Golden Dawn before they got cracking; they just regurgitated what they had gleaned from Pamela Colman Smith's images, interpreting her interpretations in a game of cartomantic chinese whispers.
They convey the gist without the grist. They can't tell you WHY the woman's 2 Swords are crossed or WHY the dude with 10 Wands is trudging along or WHY Strength had to become Trump 8; they just puke it back out, undigested... or worse, they botch things because they don't know any better.
A fax of a xerox of a mimeograph of the shorthand of someone else's Cliffnotes. Any change they've made is superficial at best and misguided at worst. That's not to say that the GD (or the TdM or Levi) is gospel, but rather that if you want to learn a system, then
learn it... whether it's from the books or from the cards directly. Otherwise it's a bit like trying to learn a language by eavesdropping on half a telephone argument through a brick wall.
Why throw hurdles in your own path?
As for the siren call of snazzy, sleek illustrations, the thing to remember is that you aren't decorating your walls with them, you are filling your mind with them. They aren't scenery, they are
windows. Moreover, every single one of the pretty decks that might tempt you is based on these classics.
Every single one. Frankly, 95% of the decks on sale in North America are Waite-Smith based, so if that's the direction you're leaning, I'd suggest biting the bullet annd getting the WS or one of its respectful recolorings and getting down to business. Nothing will replace time spent focused on images that aren't 8 degrees separated from the source.
The Waite-Smith images, and the system underlying them, did not fall from the sky. The thing is, whatever the pretty decks get right, they get right because of what they've absorbed of the Golden Dawn structure, whatever they get wrong arises from their ignorance of that same structure. The one constant is that the actual source of their knowledge is the Waite-Smith they've aped.
Now the two decks you're mentioning are very high-end clones. But I'll add that Ciro has lamented the many mistakes and oversights in the Gilded... some of them are simple errors in research or use of symbols. That's the deck's creator! Nothing dire, but why learn this stuff incorrectly? Still, he's dissatisfied enough to go on and produce not one but TWO additional decks to "get it right" and "Gild" the Gilded, so to speak. The Druidcraft is a truly marvelous clone, but in order to wedge the GD structure into a pagan context it makes some radical changes to the Trumps... and again, why wouldn't you want to get the material straight rather than mutated? Not because the GD is inviolable, but because there is no point in studying a fax of a xerox of a mimeograph of something that may have been wrong to start with. Tradition counts here: choose something with
traction or your start won't get you very far.
For what it's worth, I imagine you'll just find a deck and buy whatever floats your divinatory boat. Most people do. Many people in this thread have recommended decks that work for them. Whether those decks would have worked for them as beginners and whether those decks have helped them develop as readers, who can say? That would be tealeaves. But any of the decks mentioned that are based on an original classic deck are, at best, a reiteration of something expressed BY that classic. If you think the RWS is "crappy looking" than maybe that isn't the deck for you... but then again: you aren't going to wear it, you're going to read it. Do you buy books solely based on their cover art? The Marseille may seem less immediately sexy, but the power and crudity of the images can work wonders with a beginning reader and are INFINITELY less restrictive than the Waite-Smith scenes. Maybe the Thoth's sleek Deco modernism is more your bag. That's a phenomenal deck to start with, a big leap but a BIG payoff if you stick with it. I guess what I'm saying is, we digest the nutrition not the
packaging.
If all this sounds a little autocratic or scoldy, I apologize. Namaste. It's just that there is a difference between going with your gut and doing whatever's comfortable. And to my ears, "whatever feels best" always sounds like incitement to napping and masturbation. On AT there's a time honored tradition of folks starting out with a sparkly shallow deck, thrashing around for a few months, and then either giving up entirely or going back to square one with one of the Big 3... so I'm speaking from a desire to help, not coerce. I started out when I was very young with a Waite Smith, followed almost immediately by a Thoth because the Christian elements in Waite's designs gave me the heebs. It didn't matter, they were both decks to grow on. Nowadays, the embarassment of decks (and of embarassing decks) can be overwhelming... so I just want to encourage you to look not with your outer eyes but your inner ones, so that you pick a deck that changes how you see, and not the other way 'round.
Scion