When the first half of this run of decks was offered, I dilly-dallied and didn't round up the admittedly large chunk of change to buy it. Then I got stuck with a long wait for the second half of the print run.
I emailed Adam McLean last March to inquire about it, and I was overjoyed when I recently got an email from him that the deck was available again.
My copy arrived today. (Not sure exactly how many days that was but it was very quick for an international shipment.) I love large cards, and while I'd love to see these images at 5x7" or so
, they are still probably what most people would consider on the large size of handle-able at 4.7x3.1". The cards are very glossy, and the lamination is quite slick. In general, that is not my preference, but I think it's a necessary evil with this deck. Had the cards been less glossy or the paper less white, I think some of the images where the colors are very similar would have gone muddy. There are no images on the backs of the cards; they are plain white but very opaque (no way to "see through" to the image on the other side).
IMO there are at least three levels to appreciate this deck on. First, it is a great collector's item: a signed, numbered, handmade, 78-card tarot from Adam McLean in a small edition of 100. Secondly, it is quite a work of modern, abstract art. I could (and almost certainly will) spend days looking at these images. Thirdly, and maybe more to the heart of your question, it has strong esoteric/occult components.
Most obviously, the cards are titled with their esoteric names as referenced in
Book T. The images themselves are abstract, but the colors are very systematic. The colors in each image, starting from the center and going out (generally), are the colors of that path/sephiroth in each of the four Qabalistic worlds according to Golden Dawn color theory. There's a handy chart here:
http://www.lelandra.com/tarotbook/TreeofLifeColors.htm
I think this deck is amazing both in concept and in execution.
It is abstract but not arbitrary. I can see it appealing to the very studious esoteric types who have every Winsor & Newton Designers' Gouache name memorized, but I also see it appealing to the polar opposite - readers who feel restricted by representational symbolism and just want the imagery to convey each card's "mood" so they can take it from there. I really enjoy the Thoth, and in a way this is the concept of Thoth minors taken one step further in abstraction. The people in the middle may not get it, but that's probably just as well since there will only ever be 100 of them to go around.