Most historically-oriented Tarot books tend to have only one printing or edition; perhaps most tarot books for that matter.
Moakley - one (1966).
Dummett - one (all of his tarot books).
(Depaulis (editor): Tarot, jeu et magie (1984) - one)
Shephard - one (1985)
(Berti & Vitali (eds.): Le carte di corte, i tarocchi (1987) - one)
Betts - one (1998)
Exception -
O'Neill - two! (recently reprinted by the Association for Tarot Studies; first editions are very expensive).
The market for them is very small. You *have* to be a collector of these first editions if you are going to seriously study tarot history or iconology - you can't wait around for reprints or new editions. Fortunately, the second-hand market seems to be fulfilling the need, *and*, with the exception of Dummett's books, the books above remain at reasonable prices (this is yet another indicator that tarot history books are not much in demand).
Unlike some areas of art history, getting seriously into Tarot history won't break the bank.
Intellectual property law is not only designed to protect the rights of authors while they are alive, but also after their deaths (for a certain amount of time). It would be absurd to suggest that all of a person's estate should be simply given away upon their death, since they won't be needing it anymore. Most people, at some point or another, designate heirs (where they are not apparent in law), and this is what Gertrude Moakley did with Stuart Kaplan - she designated him her intellectual heir. Her writings are *his* property, just as if he were her next of kin or whatever. There is nothing even remotely immoral about this arrangement.
But of course, although a person's actual *words* are their property, their *ideas* are not; and in intellectual works, the *facts* upon which those ideas are based are completely free to everyone. We can write a million words about ideas like the Popess Manfreda being the Tarot Popess, the 21 points of a die being related to Tarot, the Hanged Man being a "shame painting", the trumps being a parody of Petrarch's "I trionfi", the trumps representing a real parade of the battle of Carnival with Lent - Moakley came up with all (okay most) of these ideas and many others, and nobody owns them, or can ever own them.
Only the form they are expressed in, the very words used, are owned by those who make them or are entrusted with them.
We can complain all we like about Mr. Kaplan's handling of Ms. Moakley's intellectual estate, but unless we are willing to pester him personally the best way around lack of a new edition of The Tarot Cards is to buy a copy and write about it, a long review or critique, and to keep discussing her ideas, since in the end this is the main value of her work - the ideas, not the actual words.
Ross