Hi Mtnmermaid,
if you love the art on the Thoth, you might think eventually of reading the correspondence between Crowley & Lady Harris as she was painting the deck under his guidance. It's an absolutely fascinating glimpse into the mind of these original creators, which touches upon symbolism & the process of creation & it will enhance your enjoyment and understanding of that splendid deck even further.
This is a favourite exchange, from Lon Milo DuQuette's book. It concerns the card Adjustment (Justice). Aleister had criticised her first version, so they discussed revisions. Crowley's general demand was that she should be "The Woman Satisfied" - that is, the image should bear a strong sexual connotation to illustrate the idea of adjustment & balance.
Lady Harris to Crowley, 19 Dec 1939:
I will do a new Justice, damn her. Do you think there was ever "a woman satisfied"? With what a smirk she would greet the dawn.
Crowley's reply to Lady Harris, 19 Dec 1939:
My experience of satisfied women is that they do greet the dawn with a smirk; if not the dawn, any time up to five o'clock in the afternoon, and only when it wears off does one have to start all over again...
These notes on Justice, or as we have preferred to call her "Adjustment"...I suppose I was in a very bad temper when I made my criticism, but I do feel strongly that the plumes of Maat are too insignificant, and the Dove and Raven look simply stuck on; nor do I think that the tessellated pavement is quite right. The general criticism is that the card is a little too cold; Libra is the sign of autumn, season of mists and mellow fruitfulness, close-bosomed friend of the maturing sun. In your card you have got the idea of balance static, whereas it ought to be dynamic. Nature is not the grocer weighing out a pound of sugar; it is the compensation of complicated rythms. I should like you to feel that every adjustment was a grande passion; compensation should be a festival, not a clerk smugly pleased that his accounts are correct.[...]
And a few months later, working on her later version, the one that eventually made it on the card:
Lady Harris to Crowley, 12 July 1940:
The Adjustment is being queer with me. She has, after all, insisted on being Beardsley! Also Harlequin comes in & out of it so I must have to submit. But why Harlequin? Is there any connection? Also, she won't sit down but stand on her toes just balanced. The design-result is good. That blue is cobalt I take it. The instruction says Blue-Blue-Green. Pale green Emerald. That Emerald is a vile pigment in poster paints.
What do you think? Did Crowley and Lady Harris succeed?