Lee
Thanks for the responses! This discussion is actually making me think about getting out the original PCO (I have it in both sizes) and the book and having another go at it. I've been putting in a lot of work on Lenormand lately, but I'm unable to sustain that kind of focus on one thing for very long, so this might be just the thing to refresh my batteries with something else for a while.
Lark, I agree that the Alchemy images seem deeper, more spiritually significant, and more mythologically resonant. The PCO images seem more sort of ordinary and everyday, but that's what I like about them. They're more dialed down. I've always liked chamber music rather than orchestras, and that's why I like Lenormand too, the idea of finding significance in everyday scenes and objects is intriguing to me.
Madrigal and kalliope, I agree that the PCO's people cards seem more dynamic and dramatic, with more sharply-drawn personalities than in the Alchemy. That's why despite the more satisfying color of the Alchemy, I think I actually do prefer the PCO. The more interesting people cards combined with the cooler, more objective pip cards call to me more. It's all individual, though, obviously - I can certainly see why many folks would prefer the Alchemy, it looks like a great deck.
Madrigal, I just read what Ana said about the 8 of Spades (Greatdane sent me the link - thanks GD!), and it did help me understand where she's coming from. I did think it was interesting when she says in that interview that the Alchemy images were actually created before the PCO ones. So although the Alchemy deck is published later, it looks like it was the original PCO images that were her dad's final word, so to speak, on the subject, if I'm understanding the chronology correctly.
Finally, thanks to Greatdane whose enthusiasm made me take another look at Ana's cards and system!
Lark, I agree that the Alchemy images seem deeper, more spiritually significant, and more mythologically resonant. The PCO images seem more sort of ordinary and everyday, but that's what I like about them. They're more dialed down. I've always liked chamber music rather than orchestras, and that's why I like Lenormand too, the idea of finding significance in everyday scenes and objects is intriguing to me.
Madrigal and kalliope, I agree that the PCO's people cards seem more dynamic and dramatic, with more sharply-drawn personalities than in the Alchemy. That's why despite the more satisfying color of the Alchemy, I think I actually do prefer the PCO. The more interesting people cards combined with the cooler, more objective pip cards call to me more. It's all individual, though, obviously - I can certainly see why many folks would prefer the Alchemy, it looks like a great deck.
Madrigal, I just read what Ana said about the 8 of Spades (Greatdane sent me the link - thanks GD!), and it did help me understand where she's coming from. I did think it was interesting when she says in that interview that the Alchemy images were actually created before the PCO ones. So although the Alchemy deck is published later, it looks like it was the original PCO images that were her dad's final word, so to speak, on the subject, if I'm understanding the chronology correctly.
Finally, thanks to Greatdane whose enthusiasm made me take another look at Ana's cards and system!