Moonbow
If I'm understanding you correctly rox, you are saying the face on the Devil's belly is a Masonry symbol? Is there a reference somewhere where we can read up more about this?
rox said:Medieval churches were constructed in geologically active places to be precise instruments, in harmony with earth and the heavens, functioning as machines for the transformation of those within. All the sciences were applied to that end. The Companions who built them were masters of sacred geometry and the other facets of construction which contributed to the harmonic tension of the building.
The text I included is Jean Claude's, and he isn't here to develop the question or cite his sources. Indeed, his remark doesn't seem to assert, beyond a reasonable hunch, that the face in question absolutely referred to the mason's "sensing" of a stone's orientation. What I do know is that here the word mason refers literally to a stonemason, and not to a symbol connected to Freemasonry.
It seems stones have a geomagnetic orientation which is imprinted as they are formed. This "sense" remains after the stone is quarried. To make a wall for a building under tension, destined to be an "instrument", the layers of stone must be made with care to alternate the stones' orientation. The practised mason would learn to sense this orientation by holding the stone to his belly and "reading" it. He would be able to determine how the stone should be placed. This idea is completely in line with what one knows of the art of Romanesque and Medieval building fraternities. In this case, I'd hazard that the face on the devil's belly is much more a "reference" than a symbol per se.
I know this is all a bit weak academically, but much is lost today concerning the art of sacred construction, at its height centuries ago. The idea expressed appeals to me, and seems perfectly plausible - but one can of course take it or leave it.
mac22 said:There is often just 1 orientation to the stone, after awhile you get a feel/sense of what that is from the stone itself. It's as much an art as it is craft. By mid summer I was using the chisel and/or dressing hammer only occasionally. My hand just seemed to go to the next "correct" stone in the pile.
ihcoyc said:Interesting. Then Flornoy's interpretation of the face in the belly reflects respect for the intelligence of "gut feelings" by skilled stoneworkers.
But, then, why ascribe this to the Devil?
Is it vaugely possible that the 'devil' was thought to be a stone-like creature? Didn't god cast him into the Earth...But, then, why ascribe this to the Devil?