Rosanne said:
Here are the other pairings
Do they, maybe, depict the curriculum....
Morgante and Temperance- Grammar with Poetry
Justice and Hanged Man- syllogism logic
Judgement and The Lovers- Music and platonic love
Moon and Star-Astrology
Emperor and Strength-Logic
Pope and Death-History
Chariot and World- Classical literature
Hermit and Tower- Rhetoric
or a better description.....
Chess figures usually know more than 1 pairing - vertical and horizontal.
horizontal:
2 rooks
2 horses
2 bishops
king and queen
8 pawn-symmetrie
vertical
each officer has a pawn
In the reconstruction of the Cary-Yale ...
(compare
http://trionfi.com/0/c/2209/ )
... this idea developed. The 7 virtues had to be the pawns addded with a 8th factor. Most plausible "Love" had this position.
Generally it seems, that the 3 theological virtues were replaced by sun-moon-star later ... the precise time is naturally a riddle, also the reasons, why.
But a star isn't in the 16 cards .... and the idea (or the mental experiment) says, that the Charles VI was complete with these cards. So the Charles VI version replaced the theological virtues with Sun, Moon and a third unknown card. Sun and Moon were chosen according to Florentine features (or specific Florentine virtues): The female weaver (Sun card) as a sign of Florentine industry and the pair Toscanelli and Regiomontanus as a sign of Florentine intellectual progress.
Between the other cards of the Charles VI it's difficult to understand, what else Florentine virtue is considered. However, knowledge about the Morgante of Pulci, also for this time exspectable developments in the Florentine carnival festivities, and the problem, how the fool should present a chess officer, make it plausible, that the third Florentine virtue is expressed in the Fool.
Now you see an iconographical pairing between Fool and Temperance: This is possible - the Florentine group of virtues is naturally horizontally mirrored by the cardinal virtues in the pawn-group.
Now you see an iconographical similarity between Moon and Sun - card. But ... this can't be cause of horizontally or vertically pairing. We have recognized, that all 4 virtues also have an iconographcal similarity cause of the polygonal halos, and this should make them a complete group. Naturally we should assume, that Fool-Sun-Moon also have iconographical similarity and perhaps also Love as the fourth - as a group, at least this would be plausible.
You've presented:
were sun and moon seem iconographically strong connected, but the originals ...
... perhaps would suggest, that these 4 might be considered as an iconographical group of 4 (all four have dominant features in the upper half)
In this case my suggestion, that the Fool was offered as a "Florentine virtue", looks wrong, and perhaps we've to exchange this with the Angel.
The Angel I identified as a Rook, then Fool now as a Rook?
Tower-destruction (negative) = Rook
Death (negative) = Knight
Traitor - Hanging Man (negative) = Bishop
Pope = Queen
Emperor = King
Hermit-Time (positive) = Bishop
Chariot-triumphator (positive) = Knight
Fool = Rook
... but you identified from the iconographical point of view Hermit (with a rock beside him) as the partner of Tower, so perhaps this makes more sense:
Tower-destruction (negative) = Rook
Death (negative) = Knight
Traitor - Hanging Man (negative) = Bishop
Pope = Queen
Emperor = King
Fool (as "advisor") = Bishop
Chariot-triumphator (positive) = Knight
Hermit-Time (positive) = Rook (by the Rock at his side)
Then the Fool would contrast the traitor as the two "bishops" beside Emperor and Pope at the positions of Queen and King.
Actually the court juster had the function of an adviser for the Emperor or King. I remember, that the French name for the bishop figure was was Fol ???
Perhaps we should study Italian/French chess names?